Tuesday, June 30, 2009

Movie Review: "Brothers at War"


BROTHERS AT WAR

Review by: William McGurn
June 30, 2009
Wall Street Journal

If you are one of those Americans who believe that we are not really at war with terrorists, Jake Rademacher has a message for you. Actually, what he has is a film about an ordinary family from Decatur, Ill., that has two members serving in Iraq. It's the kind of film that will give you a new appreciation for the men who make Independence Day possible.

The two soldiers here are Capt. Isaac Rademacher and Sgt. Joe Rademacher, a fact that makes this war highly personal for their filmmaker brother. Isaac is a West Pointer who married another West Pointer, and Joe is a sniper who graduated at the top of his class in Army Ranger school. Older brother Jake wants to know why they fight, and so he takes his camera to Iraq "to find my brothers' war."

Though "Brothers at War" focuses on the Rademachers, they nowhere pretend to be the model family. While Isaac and Joe are off risking their lives in Iraq, another brother, Thad, loses his life to drugs at home. It all makes for sibling relationships that can be close and distant at the same time.

Of the two in uniform, Joe is more reticent about talking about his experiences for the camera, and more skeptical about what his brother could have learned there -- at least during his first, relatively brief embed. As Jake puts it, "Joe needs me to have some confirmed kills, [and] then maybe I can sit next to him at the dinner table."

Over the course of 110 minutes, the film takes us back and forth from Iraq to the home front. The actual fighting is minimal, and politics is completely absent. In some ways, the flatness provides the emotional punch: Watch Isaac kissing his wife and child goodbye before he boards a plane for his latest deployment to Iraq -- and then try telling Mrs. Rademacher that her husband is not so much fighting a war as participating in an "overseas contingency operation."

The scenes in Iraq have a similar feel, less about capturing the big firefights with the enemy than putting faces on the grunts doing the hard work that needs to be done. However many news accounts you may read about what these men go up against every day, it can't compare to hearing a National Guardsman sitting atop a roof in the Sunni Triangle speaking with great relief about the time he didn't squeeze the trigger -- the moment he realized that the terrorist with an AK-47 in his sights was a child with a toy.

While many reviewers apparently find Mr. Rademacher's presence in the film irritating and wonder why there isn't a visual of a wounded or dead American, the military families who have been flocking to this film have a different reaction. When they see Mr. Rademacher in his Kevlar helmet and vest sweating away in the oven-like interior of a Stryker combat vehicle, they see what life is like for their husband, son, or brother.

When Mr. Rademacher shows soldiers cleaning their guns as they watch videos of the TV series "The OC," they get a picture of how their loved ones relax. And when they hear that Pennsylvania Guard unit getting the news about a soldier that has been killed by a foreign sniper, they share the frustration -- and the desire to get the guy responsible.

Though neither pro-war nor antiwar, this film does offer something that probably explains why one reviewer dismissed it as "achingly patriotic": It shows our soldiers and Marines as professionals. In short, there are no victims here, just decent men doing a tough job. In New York, Washington and Los Angeles that may not sound like exciting fare. But in places like Oceanside, Ca., Savannah, Ga., Kileen, Texas., Norfolk, Va., etc. -- cities that are home to our military families -- "Brothers at War" speaks to audiences filled with people who know firsthand what it is like to have a husband or brother in Iraq.

Though it does have its patriotic moments, they are quiet and hard to draw out from men who would rather joke about their cheating girlfriends back home. While spending five days with a reconnaissance unit reporting on foreign terrorists crossing through the Syrian border, Mr. Rademacher asks the men he is with why they fight. A young Army specialist named Christopher MacKay says he's fighting for a better life for his nieces.

Mr. Rademacher presses him: Would it be worth it if it ends up costing you your life? Spc. MacKay answers matter of factly. "Yeah, I'd give my life for America any day. Wouldn't think twice."

That's not John Wayne speaking. That's a young man who knows what he signed up for, knows why he signed up, and knows who he's fighting for. In an America where Michael Jackson's death gets more press coverage than a Medal of Honor winner, it's sure nice to see at least one camera filming men who really matter.

Monday, February 9, 2009

See "Taking Chance' on HBO, 21 Feb



MOVIE REVIEW
Taking Chance
By David J. Danelo
USNI's "Proceedings", Feb 2009

"Taking Chance" written by Ross Katz and Michael Strobl. Directed by Ross Katz. Starring Kevin Bacon and Blanche Baker. HBO Films. February 2009.

Hollywood illustrates some military stories distastefully, particularly when politics leaves veracity open to debate. HBO’s Taking Chance, a tale of devotion to fallen warriors, is not one of them.

This honorable, poignant, and dignified rendering of Marine Corps Lieutenant Colonel Michael Strobl’s escort of a Marine slain in Iraq pays tribute not only to those who have died in battle, but also to all who bear witness to their final journey home.

It’s usually the duty of the casualty assistance calls officer to come face-to-face
with a grieving parent and attempt simultaneously to explain death and honor life on
a grateful nation’s behalf. In 2004, Lieutenant Colonel Strobl (played by Kevin Bacon) paused from churning out personnel reports at Quantico and volunteered to shoulder a portion of that burden himself. As depicted by Mr. Bacon, Strobl is guilt-stricken that he is neither in the fight nor doing a greater part to support Marines in harm’s way.

Recalling the actor’s 1992 portrayal of Captain Jack Ross in A Few Good Men, viewers may struggle to imagine anyone other than Bacon in this role. The psychological
juxtaposition of (Captain) Bacon thundering away at a witness in a courtroom
16 years ago with (Lieutenant Colonel) Bacon wrapping up a less-than-eventful
twilight tour adds another layer of realism to his present character. No matter how many degrees of separation he may be from the real thing, Kevin Bacon is to Marine officers as Al Pacino is to Sicilian dons.

The journey itself is predictable: we immediately know what happened to then-Private First Class Chance Phelps (his promotion warrant to lance corporal arrived after his death), we know where he is going, and we know the reason. Less certain, however, is Strobl’s internal compass, which is what keeps the film interesting, even engrossing. “What about you? What’s your deal?” asks a curly-haired civilian teenager while transporting Strobl from Dover to Philadelphia International Airport. “My deal is . . . complicated,” the officer replies. The reverse winds up
to be just as true: the young driver had signed up for casualty duty after two of his high school pals were sent to Iraq, yet he struggles to relate to Strobl’s passion and enthusiasm for the martial calling.

Stroble's reactions to the civilian interactions - most are respectful, others awkward— sustain Taking Chance’s dramatic thread. Strobl smiles thinly and nods after being upgraded to first class by a tearyeyed flight attendant, then stares down a TSA employee who badgers him about his bag of metal objects (PFC Phelps’s personal effects) and his metal-spangled Service Green Alpha uniform jacket. At each stop along the way—Philadelphia, Minneapolis, Billings—pilots, luggage handlers, and travelers place caps and hands over hearts, pausing to pay homage. As the hearse from Rafferty’s Funeral Home snakes through the arid mountain passes of Montana into Wyoming, carsand trucks turn on headlights, eventually forming an impromptu funeral procession led by an 18-wheeler.

The film strikes two particular emotional chords. First, Marines love each other. The
brotherhood is sometimes distilled into more antiseptic phrases, such as “fierce
devotion to duty.” The film avoids hollow sentimentality and instead conveys the
depth of enduring affection and fraternity that goes with wearing the uniform. More significant, Americans love that Marines love each other. We “support the troops,”
in part, because all of us—military or civilian—long for human connections of
such profundity and self-sacrifice that they would transcend death. The pudgy businessman and spindly cowgirl whose hands cover their hearts affirm as citizens that the Marine who died risked his fate on their behalf. And, rightly, they love him for it.

These are not new notions, but HBO’s restrained, exemplary illustration of them
makes this a striking film. Taking Chance has already been nominated for the Grand
Jury Prize at the 2009 Sundance Film Festival; it should also be considered for other
awards. Even if it receives no formal recognition, the film deserves praise for depicting the squared-away nobility and solemn grandeur of America’s relationship with her Marines. Make no mistake: Lance Corporal Chance Phelps would be proud of this film.

Mr. Danelo served in Iraq as a Marine captain in 2004. A frequent contributor to Proceedings, he is the author of Blood Stripes: The Grunt’s View of the War in Iraq (Stackpole Books, 2006). Mr. Danelo was wounded near Fallujah three days before Lance Corporal Chance Phelps was killed.

Wednesday, December 24, 2008

Citizen or Consumer ??

How Free People Move Mountains
by Kathy Roth-Douquet and Frank Schaeffer

Harper Collins, 2008, $ 24.95
ISBN # 978-0-06-123352-4

These are ugly times in America. Wall Street has imploded, the out-going Administration insists on fighting the Afghan war (which is studiously ignored by the American public) with too-few troops, the national debt is virtually unserviceable - and the presidential campaign focused instead on lipstick, moose-skinning, and American flag pins. The parents and families of Marines and soldiers killed in Iraq and Afghanistan must be shaking their heads in dismay.

"How Free People move Mountains," is a timely and unusual book for these hard times, and one well worth reading. Co-authors Kathy Roth-Douquet and Frank Schaeffer address the divide that has split the United States, threatens our being as a respected nation - and propose a solution that is elegant in its simplicity.

Frank Schaeffer and Kathy Roth-Douquet are unlikely co-authors, yet perhaps their differences are why their premise is ultimately successful. Schaeffer comes from a deeply evangelical Christian and unforgiving New England background while Roth-Douquet is liberal, Jewish, and a former Clinton aide, yet they successfully collaborated two years ago in "AWOL; The unexcused absence of the upper class from military service", which advanced the thesis that patriotism, national service, and duty to country was not just the province of lower-income Southerners and Midwesterners. It is interesting to note that Schaeffer's son enlisted in the Marine Corps and served in Afghanistan while Roth-Douquet is married to a career Marine officer, so both understand better than most the concept of serving a cause greater than oneself. It is these unique backgrounds that enable the authors to unite in their belief in the intrinsic goodness of the United States - and that this is a crucial time for America to regain it.

"How Free People Move Mountains" is written in an engaging style. Set up as a discussion between 'Liberal Kathy' and 'Conservative Frank', the two authors talk about how Americans today have substituted the pursuit of consumer goods and wealth for religious faith and the laws of God (Frank), or a belief in the natural goodness of man (Kathy). While it is up to the reader to decide which road is correct, Schaeffer and Roth-Douquet's debate finishes in the same place; that of ignoring the politicians and talking heads who push the conservative-liberal, red state-blue state divisions for their own selfish reasons and instead take a direct interest in the future of their country.

Their well-reasoned solution is quite simple, and reflects the thoughts of our Founding Fathers: live a moral life, respect others, and work for the common good. The ideals of "Honor - Courage - Commitment" resound throughout the book, and throughout their ideas for breaking through the morass of mindless consumerism that they see as sapping America's spiritual strength. As 'Liberal Kathy' and 'Conservative Frank' are able to engage in spirited yet, civil debate, "How Free People Move Mountains" shows us the way to re-engage Americans in the future of our country.

Thursday, December 18, 2008

"Through the Wheat" Marines at Belleau Wood


Through the Wheat; The U.S. Marines in W.W. 1

by BrigGen Edwin Simmons (USMC, ret) and Col Joseph Alexander (USMC, ret)

ISBN # 978-1-59114-791-6
Naval Institute Press, 2008, $ 34.95
www.nip.org


More than just a recitation of history, "Through the Wheat" is a well-written and interesting book that describes how the Marine Corps burst onto the international scene at Belleau Wood and became known as one of the world's premier fighting forces.

Veteran authors (and veteran Marines) Brig Gen Edwin Simmons and Col Joseph Alexander have combined forces to give us a history of the Marine Corps in World War 1. Prior to the war, the Marines were a tiny expeditionary unit that was used primarily to fight guerillas in Mindanao or Nicaragua; its most public large battle was as active participants in China's Boxer Rebellion of 1900. But as the United States’ entry into WW1 transformed the American military into a cohesive instrument of national power, it also changed the Marine Corps from a seaborne expeditionary unit into a major fighting force that was capable of defeating the established army of a western country.

But unlike the Army, the Marine Corps values its small unit leaders, and in telling their stories, authors Simmons and Alexander excel. From young officers and future Marine commandants ) like 2ndLt Clifton Cates and 2nd Lt Lemuel Shephard, to the old breed like (2x Medal of Honor recipient) GySgt Dan Dailey and Col Albertus Catlin, Simmons and Alexander weave a story of how the Marine Corps passed its traditions and small unit expertise from one generation to the next. "Through the Wheat" also presents the stories of a few of those Marines killed while building these traditions; Yale grad and world mile record-holder Lt Johnny Overton never made it home, while LtCol Fritz Wise was never the same mentally after his battalion suffered such horrific casualties. Many old photos, all back & whites, serve to personalize the Marines encompassing this slice of history.

"Through the Wheat" chronicles the Marine fight in Belleau Wood against German poison gas and machine guns where on a single sunny June day, they suffered more dead than in thyeir previous 142 years of existence combined. In the days both preceding and following Belleau Wood, the Marines fought and won at Lucy-de-Bocage, Soissons, Blanc Mont, St Miheil and the Meuse-Argonne.

"Come you sons-of-bitches; do you want to live forever?" bellowed GySgt Dailey when his men were hung up in the wheat at Belleau Wood. While many of them did not, their tradition and quiet heroism did, and "Through the Wheat" is their fine story.

Monday, December 15, 2008

LEATHERNECKS - An Illustrated History


Leathernecks

By Merrill Bartlett & Jack Sweetman
Naval Institute Press, 2008, $ 60.00
ISBN # 978-1-59114-020-7
www.usni.org


If you google “Books – Marine Corps”, they provide “about 286,000 listings in 0.19 seconds.” So does the world need yet one more book describing the heroics of Marines since 1775? The answer is a resounding YES !! if the book is as good as this one.

When one walks around the Iwo Jima Memorial in Washington, D.C. he or she is treated to a history of the Marine Corps when reading the inscribed battles… the French & Indian Wars…the Boxer Rebellion…Belleau Wood…Guadalcanal…Chosin…Fallujah… instead of a walk around the Memorial, authors Merrill Bartlett and Jack Sweetman have collaborated to give us the same tour, but with all 233 years of Marine lore added.

“Leathernecks” is simply one of the finest illustrated histories of the Marine Corps published.

The difference between this book and the many others is both the depth of detail and its readability. Finding a balance between an academic book and an ooh-rah flag-waver, the authors present not only the Corps battle history, but the equally important story of the men who built it. Traditions are not created overnight, but are earned over generations; a fact of which the authors remind the reader with 280+ old photos, maps, and illustrations, many of which are published for the first time.
While the casual reader likely knows of the Marine Corps 10 November 1775 founding, it’s Bartlett and Sweetman’s “Leathernecks” that provides the background information that the 10 Nov. act of Congress chartering the Marines “…that two battalions of Marines be raised…” was in response to a petition by the residents of Passamaquoddy, Nova Scotia who wanted to join the newly independent United States – and these same Marines were to be used to capture the British Naval base at Halifax.

While Marine Corps lore in recent years has been built on such land-locked fights at Chosin, Khe Sanh, or An-Nasiriyah, prominent naval historian Jack Sweetman has teamed with Marine historian Skip Bartlett in a way that emphasizes the sea roots of America’s pre-eminent sea service. Describing the first landing (and victory) of the Continental Marines back in March 1776, when an eight ship convoy sailed to seize Nassau, The Bahamas. The Marines captured “fifty-eight cannon, fifteen mortars, more than sixteen thousand shot and shell…,” as well as establishing a tradition for those hard-chargers following: the Bahamas governor complained that the Marines “helped themselves to his liquor.”

Drawing on a collection of rare photographs and illustrations from the depths of Marine and private archives, authors Bartlett and Sweetman personalize the early days of the Marine Corps that makes one understand the institution today. In addition to describing the battle in Veracruz, Mexico after the Marine landing in April 1914, they have a picture of LtCol Wendell Neville, Col John Lejeune, Col Littleton Waller, Maj Smedley Butler, and Maj Randolph Berkley; all China, Philippine, and Cuba hands, sitting together on a Mexican veranda: Butler-two Medals of Honor, Lejeune and Neville – both commandants, Waller –lost the commandant’s position 2x due to politics…what Marine alive today would not want to discuss counter-insurgency with these men? If it is the institutional ethos that drives the operational, it is fair to say that this was the generation – and these were the Marines – who were responsible for the birth of both.

The authors made a considerable effort to present the Marine faces behind the battles, many of which were fought in the halls Congress. Shortly after Gen. Alexander Vandergrift (aided by the familiar names of BrigGen Merritt Edson, LtCol Victor “Brute” Krulak, and Col Merrill Twining) beat back President Truman’s and the Army’s plan to reorganize the American military, Gen Vandergrift added the equally familiar LtGen Roy Geiger and future commandant Gen Lemuel Shepherd to analyze amphibious warfare in the atomic age. Their report initiated the movement of the Marine Corps into “Vertical Envelopment” – helicopter assaults – which was the beginning of a doctrine that the Corps saw as the key to its future. Battles are easy to analyze, it is the men who fight the battle that make or break the story – or the battle – and authors Bartlett and Sweetman present them superbly.
“Leathernecks” ends with a discussion of the war on terror, with emphasis on the current fighting in Afghanistan and Iraq. The battles and counter-insurgency operations are discussed candidly and accurately, no small feat when so many of the participants are available for interview.

There is an old adage to the effect of the world being divided into two groups: those who are Marines and those who wish they were Marines – and after reading “Leathernecks”, both groups will understand why the adage is so true.

Friday, December 12, 2008

Doonesbury -from The Sandbox

Doonesbury.com's: The Sandbox

edited by David Stanford
ISBN # 978-0-7407-6945-0
Andrew McMeel Publishing, 2007, $ 16.95

Who are these Marines and Soldiers whose courage and tenacity is so politicized or trivialized by those who never served ?

Editor David Stanford brings us the daily stories of those fighting in Iraq and Afghanistan, and in their own blunt and brutally honest words. A Gary Trudeau-inspired addition to his 11-year old Doonesbury.com website, Trudeau and Stanford invited the warriors overseas to write back so the folks back on the home-front could stay informed about the war. They weren't looking for strategy and tactics but rather the daily routine - ranging from boring to mundane to kinetic - that the troops experienced.

And write they did, as "mil-blogging" increased in popularity, the writing skills of a few of the blogging Marines and Soldiers brought the wars back home in a visceral fashion that often leaves the reader with damp eyes. No slick writing here, but rather just the honest words of your son and daughters and husbands at war.

1st Sgt Troy Steward, New York Guard, writes of his time in Afghanistan as part of an Embedded Training Team (ETT) with an Afghan National Army Unit. Sgt Roy Batty, stationed in Baghdad, writes of the boredom associated with living on a FOB and then later segues into problems with an Iraqi Police unit that shot and killed an old man. "They are our buddies," he writes, "our comrades in arms with whom we are supposed to bring Jeffersonian democracy and security to this wonderful country...". 1st Lt Stefan laments the death of a fellow officer, 2nd Lt Scott Lundell, with whom he attended OCS. "Rest in peace, "Stefan grieves on his keyboard,"...a brother in arms who is loved and missed. The debt will not go unpaid..."

Stanford has sifted through the hundreds of articles posted on the more popular milblogs such as bouhammer.com, sackiniraq.blogspot.com. and traversa.typepad.com, and posted a few of the best. "The Sandbox" has articles from men and women, officers and enlisted men, and warriors, chaplains, and corpsmen. These are unforgiving wars where the combat zones start at the border, and Stanford lets those doing the fighting talk about how it affects them. In an environment where the media is criticized for playing politics by wanting to show photos of coffins being returned to the United States, one can instead read SPC J.R. Salzman's (jrsalzman.com.weblog) blunt description of having his arm blown off "...the taste of blood in my mouth, realizing that the bottom half of my arm was missing with nothing left but a couple of fingers and part of my hand hanging off by some skin and tendons and realizing how much pain I was in."

The value of "The Sandbox" is that it lets the reader forget the petty politics of the last few years and instead get to know something about the Marines and Soldiers who are doing the fighting and dying. Republicans - Democrats are unimportant when one reads 1st Sgt Stewards reports from Afghanistan, or SPC's Salzman writing about how "the last time I saw my wedding ring was when it was being snipped off with a pair of bolt cutters at a hospital in the Green Zone in Baghdad." Thank you, Gentlemen, for what you are doing, and thank you for sharing it with us; "The Sandbox" should be read by every American.

Monday, March 24, 2008

The Highway War - by Maj Seth Folsom

The Highway War

Maj Seth Folsom, USMC
Potomac Books, 2006, $ 29.95
ISBN # 1-57488-988-5

Years ago Marine artist Col Charles Waterhouse drew a cartoon of a grizzled Marine Gunny, complete with cigar, pulling on a Santa outfit as he prepares to entertain young children, as compared to his normal demeanor of an intimidating Gunny. Maj Seth Folsom’s book details a similar transformation, as he grows from a nervous young officer facing his first combat to that of a skilled and articulate officer and husband.

A Captain at the time, Folsom is a blunt and honest writer who discusses his fears and concerns of what he is about to encounter in Iraq. The likely-hood is that many Marines and soldiers, both officers and enlisted, can identify with his worry of how he will fare in his first combat: Can he hack it? How well will he perform? Will he make any mistakes that might cost the lives of his Marines? The difference between them and Folsom is his frankness in discussing these concerns.

Folsom uses the story of his role as company commander to tell the story of Delta Company, 1st Light Armored Reconnaissance Battalion as they participated in the March 2003 invasion of Iraq. From breaching the berms into Iraq, to watching and waiting as his fellow Marines fought at An-Nasiriyah, to the fighting on the way to Baghdad and beyond, Folsom pulls no punches and spares no feelings in his descriptions of leading 130 Marines into combat. The invasion in March 2003 was the beginning of an unusual war against a non-traditional enemy, and Folsom has to find his balance as an officer when dealing with both his superiors and the Marines under him while learning how to lead Marines in combat. Sand, stink, rain, lack of sanitation, fatigue, grime, and nerves are just some of issues with which he dealt even before he and his men even encountered the enemy. Folsom covers the military actions from 21 March 2003 through the April 2003 capture of Baghdad, and he accurately recounts the stress, excitement, and confusion of those historic days.

With the book written from the notes and recollection of his wartime journal, this is a fascinating memoir revealing are his feelings as he dealt with his Marines, and how he matured as an officer and as a human being. Many readers, especially his fellow officers will find much to critique in his rough and abrasive leadership style, and his dislike of the media is at odds with Marine Corps policy. But it is Folsom’s same bluntness that lets him write so revealingly – and perhaps these same readers can use his vignettes as an ‘after-action report’ in order to guide themselves in similar circumstances.

In perhaps a reflection of the asymmetrical nature of this war, Folsom recounts participating in briefings with the generals and colonels leading the invasion, and later singing with his men as they blast rock & roll music at rock concert levels. Perhaps one unexpected bonus of war in the wired age is that we readers can share in our warrior’s thoughts and experiences while they are still fresh, and as such, Maj Folsom’s book is both an exciting read and highly recommended.