BROTHERS AT WAR
Review by: William McGurn
June 30, 2009
Wall Street Journal
If you are one of those Americans who believe that we are not really at war with terrorists, Jake Rademacher has a message for you. Actually, what he has is a film about an ordinary family from Decatur, Ill., that has two members serving in Iraq. It's the kind of film that will give you a new appreciation for the men who make Independence Day possible.
The two soldiers here are Capt. Isaac Rademacher and Sgt. Joe Rademacher, a fact that makes this war highly personal for their filmmaker brother. Isaac is a West Pointer who married another West Pointer, and Joe is a sniper who graduated at the top of his class in Army Ranger school. Older brother Jake wants to know why they fight, and so he takes his camera to Iraq "to find my brothers' war."
Though "Brothers at War" focuses on the Rademachers, they nowhere pretend to be the model family. While Isaac and Joe are off risking their lives in Iraq, another brother, Thad, loses his life to drugs at home. It all makes for sibling relationships that can be close and distant at the same time.
Of the two in uniform, Joe is more reticent about talking about his experiences for the camera, and more skeptical about what his brother could have learned there -- at least during his first, relatively brief embed. As Jake puts it, "Joe needs me to have some confirmed kills, [and] then maybe I can sit next to him at the dinner table."
Over the course of 110 minutes, the film takes us back and forth from Iraq to the home front. The actual fighting is minimal, and politics is completely absent. In some ways, the flatness provides the emotional punch: Watch Isaac kissing his wife and child goodbye before he boards a plane for his latest deployment to Iraq -- and then try telling Mrs. Rademacher that her husband is not so much fighting a war as participating in an "overseas contingency operation."
The scenes in Iraq have a similar feel, less about capturing the big firefights with the enemy than putting faces on the grunts doing the hard work that needs to be done. However many news accounts you may read about what these men go up against every day, it can't compare to hearing a National Guardsman sitting atop a roof in the Sunni Triangle speaking with great relief about the time he didn't squeeze the trigger -- the moment he realized that the terrorist with an AK-47 in his sights was a child with a toy.
While many reviewers apparently find Mr. Rademacher's presence in the film irritating and wonder why there isn't a visual of a wounded or dead American, the military families who have been flocking to this film have a different reaction. When they see Mr. Rademacher in his Kevlar helmet and vest sweating away in the oven-like interior of a Stryker combat vehicle, they see what life is like for their husband, son, or brother.
When Mr. Rademacher shows soldiers cleaning their guns as they watch videos of the TV series "The OC," they get a picture of how their loved ones relax. And when they hear that Pennsylvania Guard unit getting the news about a soldier that has been killed by a foreign sniper, they share the frustration -- and the desire to get the guy responsible.
Though neither pro-war nor antiwar, this film does offer something that probably explains why one reviewer dismissed it as "achingly patriotic": It shows our soldiers and Marines as professionals. In short, there are no victims here, just decent men doing a tough job. In New York, Washington and Los Angeles that may not sound like exciting fare. But in places like Oceanside, Ca., Savannah, Ga., Kileen, Texas., Norfolk, Va., etc. -- cities that are home to our military families -- "Brothers at War" speaks to audiences filled with people who know firsthand what it is like to have a husband or brother in Iraq.
Though it does have its patriotic moments, they are quiet and hard to draw out from men who would rather joke about their cheating girlfriends back home. While spending five days with a reconnaissance unit reporting on foreign terrorists crossing through the Syrian border, Mr. Rademacher asks the men he is with why they fight. A young Army specialist named Christopher MacKay says he's fighting for a better life for his nieces.
Mr. Rademacher presses him: Would it be worth it if it ends up costing you your life? Spc. MacKay answers matter of factly. "Yeah, I'd give my life for America any day. Wouldn't think twice."
That's not John Wayne speaking. That's a young man who knows what he signed up for, knows why he signed up, and knows who he's fighting for. In an America where Michael Jackson's death gets more press coverage than a Medal of Honor winner, it's sure nice to see at least one camera filming men who really matter.
